OG style, big metal case, I took the smaller, newer one. dunno if it's analog or what.ītw there's one more micro synth left at haight ashbury music in SF. The layout totally makes sense, I was wondering how it's a synth, it really is, a 4 (4 string bass) oscillator synth. I need a plugin that will alter the sound of a recorded signal. All of my searches just lead me to bass synth vst instruments, and thats not what I need. you know when it sounds so nice you keep turning it up, and up and up until people complain but you don't really care? Im looking for a plugin similar to the Electro Harmonix Bass Micro Synth pedal, as a substitute for that pedal in a recording environment. really big fat wall of sound distortion, the Pod and the microsynth greater together than the sum of their parts. THIS UNIT IS PACKED WITH 64MB OF TRITON PRESETS, WITH 100S OF TOP QUALITY PRESETS, DUAL ARPEGIATOR, USB, COMPREHENSIVE FX SECTION AND MUCH LIGHTER THAN ORIGINAL TRITON SYNTHS, SO EASY TO TRANSPORT. With a fixed ratio of 2.35:1, adjustable threshold and up to 12dB of gain available at the Level knob. ![]() There's the funky wah stuff but I got caught up in running this through some basic distortion patches on the PodXT. Taken from Line 6’s guitar amplifier Vetta II. Mutron - classic, probably influenced the QTron? (n00b question.) I like all the youtubes on those, def on the list. Besides, you're doing the global economy justice by buying something. Just my thoughts.Aisling wrote:Very Happy it's all good, they all have different flavors and assuming you use them, you'll find an application and purpose for them all. You could put it before the DL4 or move it up behind the POG 2 to get a warbly old-timey organy sound like from those early American phonographs. The Lo-Fi Looper Junky is a lot like Zvex’s Lo-Fi junky but with a 20 second sampler. To allow our cookies, toggle the setting Store and/or access information on a. Adjustable synth parameters deliver fat, sweet tones from another world. Im looking for a plugin similar to the Electro Harmonix Bass Micro Synth. Stephen mentions that he purchased a Zvex Lo-Fi Looper Junky but is debating placement in his signal chain. The EHX Bass Micro Synthesizer is a pure bass guitar synthesizer with all analog circuitry. Their Bass Micro Synth is a versatile beast that enables you to tweak countless. Stephen’s signal ends in an Earthquaker Devices Arpanoid leading into the classic Line 6 DL4 to loop all the madness. This bad boy enables you to store 6 presets in two memory banks. ![]() After the Bass Big Muff Stephen’s signal continues into a Way Huge Angry Troll (there you go Stephen! that’s all you need!) and the Electro-Harmonix Bass Microsynth. The Bass Big Muff is okay, you have a lot of options from Earthquaker Devices, Way Huge, or Dwarfcraft, but if you want to keep it EHX get an OG Big Muff Pi. ![]() ![]() While I love my OG vintage EHX stuff, the POG 2 does a pretty good job of organ modeling, the ability to save presets is handy as well in a gig setting. Maybe one pedal works better with one bass as opposed to another, and maybe one pedal works well with both or neither, trial and error goes a long way in perfecting your sound!įrom Stephen’s bass things kick off into a BOSS TU-2 tuner (classic) and an Electro-Harmonix double team of the POG 2 and the Bass Big Muff fuzz pedal. It goes without saying that different instruments yield different results from the same pedals so its good to have that sort of variety to test things out. Before things get started off into his board, Stephen rocks either an American Fender P-Bass or a Mexican (viva Mexico!) made Fender Jazz bass.
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